The Court of Appeal decides
I was 16 in the summer this was released, and no other song can take me straight back to that time and give me goose bumps, as if I were time travelling
Friday, 4 April 2008
Belatedly I have discovered that the Guardian's excellent art critic Adrian Searle has been doing a series of podcasts in which he talks about art works. Here he is describing John Davies' photo of the Trafford Centre, in which you will hear a human voice studying an art work and seeing what amateurs like ourselves usually miss.
Readers with long memories may remember the Christmas party I went to when Kate Moss's make-up artist Mary Greenwell said that if I came and sat down on the sofa she'd re-do my make-up. Here is Mary in the Guardian today on her life in shopping,
What do you take in your makeup bag when you travel?
A La Prairie moisturiser, a Chanel Silhouette lipstick, a Sisley mascara and a Guerlain bronzer and concealer. With those things, you'll always look made up.
There has been a lot of debate and discussion about why French women are like that and not like this.
The following, in my view, nails it:
For many sociocultural reasons there has always been more complicity between men and women in France than in Anglo-Saxon cultures, and that complicity breeds a different kind of woman. This is at the heart of fascination with French women. Franco-American actress Charlotte Rampling once said that "French women have been made beautiful by French people. They're very aware of their bodies, the way they move and speak; they are very confident of their sexuality."
My cousin's French partner would be shocked if he did not, at home at the weekend, sit down to a three course lunch on Saturday with napkins in napkin holders and a glass of excellent wine. And shocked if my cousin was not always beautifully dressed.