Because you can't have depths without surfaces.
Linda Grant, thinking about clothes, books and other matters.

Wednesday, 14 November 2007

Read it and weep . .


. . . with envy. Bag Snob Tina's ode to the Chanel jacket.

Regardless of how one prefers to wear their CHANEL jacket, we all agree that there is no other piece of clothing that transcends time, style and age as gracefully. I wear mine with jeans for lunch and shopping dates, wide legged trousers for cocktails and a full length multi tiered silk chiffon Chanel skirt for black tie. My CHANEL jackets are my secret weapon, the pull it out and be fabulous no matter how much I weigh or feel at the moment kind. Nothing in my closet is as glamorous or versatile, I own dozens of CHANEL jackets and do not plan to part with any of them! Some I have had for 13 years, since I first started collecting at age 25, and some are new additions from this season. I keep each and every single one in a cedar lined closet in its original Chanel wardrobe cover with a photo on the outside for ease of dressing. Call me obsessive but those of you who own these amazing creations know what I am talking about, the ones who don't, you need to go and try one on. Just for the experience. And you'll most likely leave with one.

Check back tomorrow

When there will be reports on the Spring/Summer press shows today from Jaeger, which has just signed an exclusive deal with Saks Fifth Avenue in the US, and Marks and Spencer. Two very strong collections. Also first words on the press briefing this morning of the relaunch of the Ossie Clark label under the creative direction of Avsh Alom Gur.

But now I'm going to drink a Cosmo.

The boundaries between art and dress



I'm very busy today, so will leave you with this piece from the Telegraph earlier year

In 1935 the 22-year-old Meret Oppenheim was studying art in Paris when her Jewish father (a friend of the psychoanalyst Carl Jung, whose ideas led the young art student into surrealism) was forced to leave Nazi Germany and could no longer support his daughter financially. Needing to earn her own living, she decided to collaborate with the fashion world and made a fur bracelet for Schiaparelli, whose belief that haute couture should make the everyday extraordinary meant she was the ideal partner for a surrealist. For Schiaparelli all fashion was a metamorphosis - a dress could become a painting and a shoe could become a hat. When Oppenheim showed the bracelet to Picasso in a café, he remarked that anything could be covered in fur. Oppenheim agreed, pointing to a cup and saucer on the table, and went on to design the fur teacup and spoon that is one of surrealism's most famous works.



Thought for the day


One should either be a work of art, or wear a work of art. Oscar Wilde