Valentino AW08/09 couture show
Saturday 26 July 2008
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Because you can't have depths without surfaces.
Linda Grant, thinking about clothes, books and other matters.
Linda Grant, thinking about clothes, books and other matters.
About me
Linda Grant is a novelist and journalist. She won the Orange Prize for Fiction in 2000 and the Lettre Ulysses Prize for Literary Reportage in 2006. She writes for the Guardian, Telegraph and Vogue. Her latest novel, The Clothes on Their Backs was shortlisted for the 2008 Man Booker Prize. For further information including upcoming literary festivals bookstore readings etc see her website at www.lindagrant.co.uk
My other blog
Buchmendel - some words from books
Books by Linda Grant
- The Thoughtful Dresser Non-Fiction 2009)
- For further information see www.linda.grant.co.uk
- The Clothes on Their Backs (Fiction 2008)
- The People on the Street (Winner of the Lettre Ulysses Prize for Literary Reportage 2006)
- Still Here (Fiction 2002)
- When I Lived in Modern Times (Winner of the Orange Prize for Fiction 2000)
- Remind Me Who I Am Again (Non-fiction 1998)
- The Cast Iron Shore (Fiction 1996)
- Sexing the Millenium (Non-Fiction 1993)
This blog believes
'A good handbag makes the outfit.'
'Only the rich can afford cheap shoes'
'The only thing worse than being skint is looking as if you're skint.'
'A new dress is a great help in all circumstances.' (Noel Streatfeild)
'The only true and lasting meaning of the struggle for life lies in the individual, in his modest peculiarities and his right to these peculiarities.' (Vasily Grossman, Life and Fate.)
'Only the rich can afford cheap shoes'
'The only thing worse than being skint is looking as if you're skint.'
'A new dress is a great help in all circumstances.' (Noel Streatfeild)
'The only true and lasting meaning of the struggle for life lies in the individual, in his modest peculiarities and his right to these peculiarities.' (Vasily Grossman, Life and Fate.)
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6 comments:
I loooove how ethereal this is compared to most other catwalks
It's beautiful. I just can't wait for the trickledown effect, ie. to a level of the market I can afford!
Lovely. So many interesting necklines, some even flattering and kind! I liked every shade. Sigh.
Hmm, to me it just looked like a line of emaciated women. I know that it's the norm in the fashion industry, but I still found it shocking. That's probably one of the reasons I can't get terribly worked up about high fashion. And they looked so grumpy - as well they might if they never eat a square meal.
Here is a couple of comments on this collection from the "sewists" point of view. http://sewintriguing.blogspot.com/2008/07/perfect-isnt-perfect-anymore.html, http://thesewingdivas.wordpress.com/2008/07/10/not-so-hot-couture/
I personally like it well enough and would not necessarily be quite so critical of the workmanship (unless I was paying for the clothes of course), but I find it interesting that people who are traditionally seen as second rate in this area i.e. the home sewer, are finding fault with the couturier for substandard work.
Re Susan's comment: I had to avoid looking at the knees of the models wearing short garments - avoided legs altogether - because they seemed the thickest part of the entire leg. Truly painful to see. Then of course the feet look monstrous. Only one model had a face mature enough to be wearing any of the clothes without looking like a toddler clomping about in her mother's best frock and heels.
Takes quite an effort to concentrate on the clothes with all that horror going on doesn't it?!
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